Two, three, many portraits!
2008 November 30
Ernesto “Che” Guevara and his part in the Cuban Revolution with that of the former Cuban fashion photographer Alberto “Korda” DÃaz Gutiérrez and the picture he took at a “decisive moment” during a March 5, 1960 Havana memorial rally, this ninety-minute film is an original, unusually sophisticated, wide-ranging, and yet very accessible cultural and social history. Lushly photographed, hopping around the globe, and including the testimony of Korda’s contemporaries, Che biographers, scholars, artists, politicians, politicos, a sprinkling of actors who have played Che, and a myriad of unidentified people, Chevolution is a rarity in successfully conveying an international perspective. While unapologetically admiring Che, the film also does not hesitate to chronicle his flaws and the views of his foes; even more importantly, it demonstrates how Che’s image has become, in the semiotician Roland Barthe’s apt phrase, a floating chain of signifieds that has operated as an activist emblem almost as much as it has been used to signify nothing—or, rather, everything: the ultimate symbol of consumption. Moreover, in keeping with the best documentaries, Chevolution unhinges assumptions and shibboleths; its closing account of Korda’s, and subsequently the Korda estate’s, exercise of copyright will challenge proponents of property-rights and fair-use alike. Chevolution will be screened at the Corcoran Gallery in Washington, DC, on January 19, 2009—keep an eye out for this one.
Trisha Ziff and Luis Lopez’s 2008 documentary Chevolution is a compelling and comprehensive chronicle of the iconic portrait that inspired generations of activists and launched an equal number of marginally-related products. Merging the story of the short, fierce life of the Argentine-born Last 5 posts by Josh Brown
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